Cross to Bear


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Everyone Has a Cross to Bear - Jen Dyck Art

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Grandma’s Cross to Bear: Self-Acceptance, the Diet Culture & How to Break Free

External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A Cross to Bear tells the unflinching and inspiring story of Erica, a would-be dancer with no family connections who finds herself fighting alcoholism and living on the streets with her Director: Tandria Potts.

Favorite Faith Films. Flicks i have so far. GROW holidays, pt. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Photos Add Image Add an image Do you have any images for this title? Learn more More Like This. Closer to Home Daze Like This But that's your cross to bear.


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I guess this is just my cross to bear. It's my cross to bear , not yours. C'est la croix que je dois porter et non la tienne. I withdrew myself from the education fight and that is my cross to bear.

It's a small-town lawyer's cross to bear. Dahlia is my cross to bear. Everyone has their cross to bear. We all have our cross to bear. We've all got our cross to bear.

8 Replies to “My Cross to Bear”

Well, awesomeness is my cross to bear. In Allman's tales of making music and forming bands, the speech pattern adopts a swagger, like that of the best music he made with the Allman Brothers. His pride in the band is as clear as his own self-doubt and therein lies the key to Gregg his life path, at least to any reader who has followed him as a musician throughout his career: the sorrow he's borne, as a child without a father and, subsequently, a grown man robbed of his father figure, brother Duane, has fueled his art and undermined hopes of tranquility. As tales of sexual escapades alternate with increasingly frequent flashes of substance consumption, extended intervals reflecting on the bond within the band and the music they created appear, if not quite in passing, then in proportion to the time Allman spends on stage.

He displays little sense that the actions of the off-time affected the music, implicitly offering the theory that creativity has a life of its own, at least up to a point, and that the time spent with his bandmates, even when they were not playing, contributed positively to the music when they were playing. That produced a voice aged beyond its years plus a well of feeling that deepened with experience, and turned original songs such as "Dreams" and "Whipping Post" into vivid autobiography. It also cost him the serenity he's sought so much of his adult life.

Allman seems to know full well events might have transpired differently had he been, in line with his name as the surviving Allman Brother, more assertive of his point of view. To be fair, Allman offers all the affection and admiration that's due for those he feels deserve it and it's those individuals, such as original ABB drummer Jaimoe, Haynes and lifelong mentor Floyd Miles, with whom he feels an unspoken connection.

It's little surprise, then, that there's a lack of clarity in the denouement, such as it is, of My Cross to Bear. No doubt Allman is honest in his acceptance of the limits imposed by his age and physical infirmities, but his declaration that his life's "been a blast" sounds like he's trying to convince himself of something he doesn't quite believe. Likewise, after repeated allusions to financial mismanagement, or lack of it, during the period ABB began to taste success, he comes across self-serving, not to mention somewhat self-deceiving, in his recitation of a letter of gratitude to Phil Walden, the late owner and operator of Capricorn Records and the Allmans' manager.

Allman's reticence to name Kirk West as the curator of the Big House Museum is odd to say the least: "one of our long-time tour personnel" does not quite make it. But then dichotomy is Allman's life in microcosm. He's been a man at war with himself to the point of emotional paralysis, freed only by the power of the music he has made, in the form of songs he's written, recordings he's made and performances he's given. He strongly intimates such intervals are exactly those for which he is grateful to have survived and, in fact, constitute ample reward for the hardships he's endured.

In a product of one of those moments of inspiration, a tune called "Old Before My Time," from The Allman Brothers' Hittin' The Note Sanctuary, , Allman vividly combines knowing reflection and world-weary acceptance. Such clearheaded perspective may be fleeting during My Cross to Bear , but Gregg Allman's concerted effort to be open cannot be denied. Showcase Buy Now. Buy Now.

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