The jokes are scattershot, as well, playing with a variety of tones, but never settling on any particular one. When the leader of the Fantastic Four will not take no for an answer, Moon Girl decides to figure out which of them is the smartest, but a rogue appearance from a Doom Bot throws their whole experiment out of whack with casual action. Bill Sienkiewicz drew this comic book. That makes which makes the issue a rollicking gothic medley. Seeing these talents working on new comics is rare these days. No one should miss the chance to see them in action together.
As the conclusion of HoXPoX looms, the penultimate issue of Powers of X seeks to cover a lot of topics and establish the remaining foundation for a new era of X-Men comics. Each of the three eras explored here provides some important details, explaining how mutant minds are copied, what form a mutant government might take, and what is happening one millennium in the future.
None of these segments hit the absurd highs provided in House of X 5, but each offers at least one very satisfying concept in addition to returning some dormant characters to the forefront. This series is consistently finding new ways to be as violent and ridiculous as ever. As Frank and his growing ragtag band of allies try to avenge the War Orphans of New York, and the end result is way more fun than it has any right to be.
The jokes fly a mile a minute, and several of them will make you look at Juggernaut in a whole new way. While there are moments where the gross-out nature of the violence is laid on a little too heavy, this issue manages to be an absolute delight. Spider-Man: Velocity goes live with its second issue which pokes some interesting holes into Peter's ghost adventure. With MJ being targeted, the team thinks they discover Norman Osborne's part in the mystery, but things get turned around when a female speedster appears in a rather angry apparition who is more rageful than ghostly.
Kylo Ren returns to negotiate with a civilization Darth Vader failed to conquer, igniting a fire in the leader of the First Order to succeed where the Galactic Empire failed. Much less interested in finding an amicable solution, Ren is much more interested in showing this civilization, and the rest of the First Order, that he has the fire in his heart to accomplish even the most impossible of tasks. The book might be light on exploring uncharted territory in Ren's backstory, instead giving us a heavy helping of his unbridled rage and the chip that Vader left on his shoulder.
Despite feeling like she has been captured, Cere Junda realizes that her "captors" aren't what she made them out to be, allowing her to use her burgeoning skills as a galactic peacekeeper. As is all too common in the Star Wars saga, not everyone takes kindly to Jedi, with her attempts to uncover a mystery being met with conflict.
On the other hand, if you aren't a fan of the bureaucracy of what the Jedi do when they're not confronting the Sith, there's still some fun action to be had, but this title might not scratch that itch of witnessing the centuries-old conflict continue. Our bounty hunters might think they have a plan cooked up to take down Vader once and for all, only for them to learn that Vader isn't one to be unprepared. As the two sides engage in combat, the major question is who has a better plan or, even better, who has more contingencies. This chapter is light on exposition and heavy on action, which is likely what drew most readers to check out this title.
Halfway through the series, the stage could be set for the conflict between Valance and Vader that we've been waiting for, delivering on what readers came for, but putting these two characters up against one another with three more issues to go likely means the conflict will be avoided for a few more months. If bounty hunters are your thing, this issue is the series' high point so far, but if you were hoping for a compelling or unconventional series, you'll still be left wanting more. When the team is actually together, it's hard not to smile at the banter between them; you can see the promise this concept holds.
Once it kicks into gear later, it's just as fun as you'd expect, though. Superior Spider-Man kicks things up a notch with its latest issue, and it is one which Otto Octavius will not forget. After being targeted by another dimension's Norman Osborne, Superior Spider-Man finds himself at a loss when all his loved ones are injured and held hostage. The hero finds himself defaulting back to his old ways in order to save everyone, but the return of Doc Ock might bring about more bad than good.
Pitting heroes against villains they wouldn't normally square off against is a fantastic backdrop in theory, but it falls flat here as the story of Wolverine squaring off against Morgana Le Fey simply doesn't offer anything new or pack an emotional punch.
Props should be given to Jody Houser here for attempting something different with the premise but its a tale we've seen from Logan more times than we can count. Geraldo Borges does the story no favors either as it shifts from serviceable to distracting at times. This issue's a miss and you shouldn't feel bad skipping it unless you're looking to complete the crossover. Few art teams so perfectly encapsulate a hero and their world like Gleb Melnikov and Roman Titov do with Angel , and 5 continues that trend.
The Avant-Guards steps out with a catchy new issue focusing on two characters' and their surprising pasts. When tensions begin dulling within the sports team, the girls rally together to bolster one another even when they're keeping pieces of themselves hidden from view. But when an update threatens to tear the team apart from the outside, it falls to Liv to get things back in working order.
Brushing past many core themes one last time, it feels as if they were fully considered dozens of issues before and that this is simply one final pass on well trod ground. Are we capable of change? How do we create satisfaction in the face of an uncaring universe? As the science-fiction elements become hazy, an increased focus on the found family unit that made Black Science 1 a hit resurrects some of the series charm.
Bloodshot has long been a major title for Valiant and now, a bit over a year after the last issue of Bloodshot Salvation , the character is back with Bloodshot 1 and while the timing for this is good with the first trailer for the Vin Diesel-starring film expected next month, it also feels kind of like a play to capitalize on that. It's not bad thing generally, except Bloodshot 1 very much feels like its part of a promo.
The issue functions heavily with what feels like neverending action sequences that make only the slightest bit of narrative sense. They certainly look cool, though, so it's a bonus. But in terms of storytelling, it's awkward, clunky, and requires readers to have a strong working understanding of the Bloodshot character—if you're new here, good luck.
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The book also tries to set up for the direction of the title overall in what can only be described as a "stinger", but it doesn't really work. Criminal 8 is one long exercise in foreshadowing and constructing tension. While each issue of the current arc has focused on an individual connected to the upcoming heist, the time spent with Jane here is as much about what is to come as what is currently occuring. It builds clearly upon prior issues, delivering several excellent moments of dramatic irony and resolving some dangling narrative strands. The extended narration of this story plays out like the best noir films in that it creates tension between what is shown and what is still unknown.
While Wes Craig doesn't get to play all that much with layouts in this issue, he does get to draw some really great and bloody fight scenes, that come from a variety of angles and use a variety of methods. It's a great-looking issue, and has a few surprises that promise some really bad stuff coming down the line for our Is that?
Well, you get the point. Diaz go above and beyond, establishing a whole new mythos for this magical world that is as tragic as it is beautiful. Making the explicit sex sequences in Faithless 6 read in such a cold and uncaring fashion is quite an accomplishment. The essential deal with the devil that has been the crux of Faithless plays out in a hollow fashion. Earlier elements of horror and dead friends are forgotten in the face of a vaguely-defined promise that offers no insight to readers.
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Fight Club 3 is nearing its endpoint, and as with Fight Club 2 , that means a lot of things are starting to come together at a rapid clip. Pacing has not been the book's strong suit—that's the art and continued creative use of comics as a form—but the sense of urgency and confusion that the pacing in this specific issue engenders, serves it well.
Sina Grace, Derek Charm, and company make this issue a candy-colored, multiverse-breaking delight. Some monologues occasionally lose steam, but the issue still dives head-first into a lot of fun. Lumberjanes steps out with 66 this week, and it sets up one of the series' best rivalries as of late.
While most of the camp girls get along, things get tense when the Norse deity Freya comes to camp and shows off. With Diane getting jealous, fans are treated to a fun exchange between the characters, and this all goes down with a budding alien exploration side story buds in the background. The infrequent displays of the magic even in the quieter issues like this one emphasize the power and danger of the magic compared to the otherwise muted and shadowy scenes that comprise the rest of the series during less eventful moments.
In fact, this issue is two for two on the villain scoreboard, as Adriyel is just as cunning as Dayne, and both of these villains pull the more human elements of our favorite heroes into the light. Notes on history, long-held regrets, and legacy are all established and hold forth a promise for the story to come. This first issue focuses on constructing a potent foundation for those ideas to unfurl and delivers a potent mood to carry them forward. The result is an engrossing first issue—one that sets the mood for October beautifully and promises that the best is still to come.
Ragnarok: The Breaking of Helheim 2 is all about establishing conflict. It introduces both a nefarious villain and his schemes for destruction while laying groundwork for Thor and his newest companions to combat those very schemes. While this leads to an issue primarily defined by exposition, each sequence provides plenty of opportunities to develop character.
Both hellish mines and grand banquet halls are captured with a wide-array of faces and features which serve to build a potent mood. Every new detail stokes tension and makes the cliffhanger land with a resounding clamor. Simonson is constructing a new vision of the many realms on Yggdrasil and, while rarely pleasant, they are all nothing short of captivating. The newest issue of Ragnarok is a potent reminder of how comics can allow expository sequences to serve far greater purposes than plot alone. At its core, SFSX is about expression and personal empowerment, both within the world of sex and far beyond it.
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Tina Horn builds upon that concept nearly-perfectly, crafting a debut issue that lays the groundwork for an emotional and unique dystopia. With a compelling protagonist, a unique approach to real-world issues, and nuanced art from Michael Dowling, there's a lot to enjoy in this first installment. Not only will SFSX 1 make readers want to see where the story goes next, but it will hopefully make them look at their relationship with sexuality and sexual politics in a whole new way. Containing four stories from three idiosyncratic sets of talent, all of these stories are connected by a sense of humor with tongue firmly embedded in cheek.
The snark is uplifted by stories that are given to hyperbole and visual exaggeration.
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While each segment has its own approach, fans of The Goon will likely find something to appreciate in each installment, even if some stretch their central gags a bit too far. The second issue of Star Trek: Discovery — Aftermath has the same strengths and flaws as the first. Like Discovery itself, the comic layers some interesting foreshadowing of events yet to come in the Star Trek timeline. The first story focuses on Rey's training on Ahch-To with Luke and what happens when she's more eager to demonstrate her skills with the Force than learn the ways it can impact others.
It might be a book aimed towards young readers, but fans of all ages will get a lot of insight into both Rey and Luke in an entertaining and organic fashion. The franchise is noted for its progressive civil rights stances; the Original Series included. Star Trek references may be found throughout popular culture from movies such as the submarine thriller Crimson Tide to the animated series South Park ; as early as , Gene Roddenberry drafted a proposal for the science-fiction series that would become Star Trek.
Although he publicly marketed it as a Western in outer space—a so-called "Wagon Train to the Stars"—he told friends that he was modeling it on Jonathan Swift's Gulliver's Travels, intending each episode to act on two levels: as a suspenseful adventure story and as a morality tale. Most Star Trek stories depict the adventures of humans and aliens who serve in Starfleet , the space-borne humanitarian and peacekeeping armada of the United Federation of Planets; the protagonists have altruistic values, must apply these ideals to difficult dilemmas.
Many of the conflicts and political dimensions of Star Trek represent allegories of contemporary cultural realities. Star Trek: The Original Series addressed issues of the s, just as spin-offs have reflected issues of their respective decades.
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